The maturing music lover

Moggers Last night I went to a Mogwai gig and sat in the Old People's Seats.

For the past couple of years I've been fighting the urge to sit down at gigs. I remember when we went to see Radiohead with my pals Jane and Rory in 2003 and they had seated tickets. I thought they were craaaazy! How could you not want to be right down the front, gazing straight up the nostrils of your idols, with strange, sweaty strangers pressing against you and/or sloshing lager all over your head. What's not to love?!

Hmm, yes. Well, I blame the Picture House in Edinburgh for speeding my descent into middle age. It has this great upstairs bit with plush benches to sit on that have a perfect view of the stage. The first time I went to a gig there I was in the standing area. I kept looking back up at the Seated People and thinking, Man. My feet hurt.

Last year we were back there to see Gary Numan. I didn't know feck all about Gary Numan except for Here in my car, blah blah blah blah so I reasoned: It's not like I'm an actual Gary Numan fan, so it's acceptable if I sit down on the comfy seats, just this once. Its only fair to leave more room for the true Numan lovers down the front of the stage.

But when we arrived at the Picture House last night I made a beeline for the stairs. In fact I made Gareth eat his dinner very quickly because I feared the comfy seats would go quick. AND I WAS RIGHT. We got there half an hour after doors opened and we only just managed to nab a spot on the sweet, comfy, lovely, cushioned benches.

Mogwai have been my pet band for a wee while now. Gareth was always been the big fan and had to coax me along to their Usher Hall a few years ago. He warned that they'd be loud but I did not expect to feel like my lungs had been hurled against my ribcage; the floor vibrating like a tractor beneath my feet. I wanted to diiiie. But they really grew on me and I became a big nerdy fan and have have seen them four times since. They are just hilarious and huge and foxy and loud and they tweet what they eat and did I mention they're really fucking loud.

ANYWAY I remember thinking when I was down the front at one gig a wee while back, I wonder if they band can see us? I wonder what it feels like to be in a band for years and years and years, and you started out seeing all these young, sexy faces in the front row then over time it becomes a sea of baldy heads and people who came along still in their work clothes? Are you cool with that because the fans still love you, and you're not as young as you used to be either? Or do you pine for the days of the young sexy faces? I wonder.

Last night I discovered there is a downside to the cosy seats. Sure you are comfortable, and you do not get bruised or shoved or have a plastic cup crushed against your skull, but you do get mature blokes intent on recording a whole song holding up their stupid little Flip video cameras right in your line of vision. PUT IT DOWN OLD TIMER. And said bloke is so excited to have a night away from the kids he insists on making the most of it by chugging a pint every fifteen minutes and having to get up between every song to go to the loo, for fuck's sake not AGAIN you incontinent bugger.

So the music was exhilarating and so very very very delightfully loud and today I still have that post-gig delirium where your whole body buzzes and you just feel glad to be alive. I don't think it matters how old you are or where you sit, if the music moves you, it's all good.

Wombat Walking Round The Old Billabong

Rory sums up the Men At Work/Kookaburra case:

Men at Work have just lost a case brought by Larrikin Music, a song publisher who bought the copyright of Kookaburra Sits in the Old Gum Tree from the Australian Girl Guides in 1990 and in July 2009 claimed that the flute riff in Down Under plagiarised it. Colin Hay and Ron Strykert are now facing a payout of up to sixty percent of their writers’ earnings from the song, depending on the judge's final ruling.

If a court has deemed that Men at Work ripped off the Kookaburra song, then by that precedent surely Noel Gallagher should be executed for crimes against The Beatles?

I'm no Men At Work fan but look upon them fondly as they make me think of my friend Peita. We once had an assignment in journalism class to write an obituary for a person who wasn't actually dead yet and she chose Colin Hay. She wasn't a fan either and I wish I could remember why she chose him… deadline panic? Ever since when I heard Down Under on the radio I'd think isn't it a shame about Colin Hay for a few seconds, before remembering he wasn't actually dead. But if he WAS he would be spinning in his grave right now over this Kookaburra shit.

"Do you think the lawyers will go after all your other music legends now?" asked Dr G, renowned Australian cultural commentator, "Will Midnight Oil get sued for plagarising Wombat Walking Round The Old Billabong? Or Galah Flying Round The Old Wagga Wagga Train Track?"

Downunder

Scenes from the Wickerman

Down on the misty Solway coast of Scotland lies a music festival called The Wickerman. It's named after the 1973 cult movie – many scenes were filmed in the area. The highlight of the festival is the burning of the big fella on Saturday night, except there's no Edward Woodward-type trapped inside.

hello world, i'm a big tall basket person thing
This is the 2006 model. Such tardy blogging.

Music festivals can bring out my most pathetic insecurities. I don't really drink or partake in wacky substances (got enough problems with sugar and saturated fats already), so at first I stand round feeling dull and clumsy and wobbly. I curse my inability to casually layer tiny garments and look cool despite three days without bathing. I don't even attempt welly boots. But the Wickerman has a more cosy, welcoming vibe. You only get the occasional hipster in the mist.

Hipsters in the Mist

The line-up is eclectic with scores of obscure bands and remants of big ones. When we first went in 2006 the headliner was a Ramone. The Ramone. I can't remember which one; the one who wasn't dead. There was also The Blockheads; no Ian Dury of course since he's also no longer with us. This year we had KT Tunstall, Gary Numan and… Hippo! Yep, Dr G took his sexy keyboards on the road.

Dr G not pictured
 

I got to be a roadie for five minutes when he had technical difficulties with the Powerbook. The volume control had disappeared from the menu thingy but I totally saved the day. Except for the bit where I might have cocked up a bit because when they jumped into the first song all you could hear was DR G ON THE KEYS! Thankfully nobody in the crowd noticed as they were all merry with their substances. After some quick adjustments the rest of the set was bloody magnificent. They sounded so, so, so good. I was delirious with pride and could have kissed all seven of them if not for their coatings of festival grime.

Meanwhile back at the campsite, the port-a-loos were doing a roaring trade.

WC in Fields

While our pals went to see KT Tunstall (or attempt to see her since the mist was so thick) Dr G and I headed over to the ska tent to see Neville Staple, otherwise known as The Dude from The Specials.

I'm ignorant so I kept referring to him as Arthur Staples. Gareth reckoned I must have him confused with the elderly president of a lawn bowls club. Neville Staple on the other hand is a spritely 53 years old, supremely buff and dancing like a mofo.

I only knew Too Much Too Young and A Message To You, Rudy but went crazy with the dancing too. And so did Dr G!

That was when I realised that in almost five years of togetherness I had never seen the Doctor dance. It was surreal! Not because he danced like a dickhead or anything, but you get so used to someone looking a certain way – hunched over a computer or painting a wall or hiking up a hill or sitting behind the wheel of the car. It was so foreign and hilarious and oh so good, shaking up our little world.

Scottish festival food is getting posher these days – lots of noodle bars and organic frou frou. You've gotta look harder for the shitty burger vans.

 

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Floating like lillies on a pond.

They burned the wickerman at midnight; you could barely make it out the poor bugger in the fog. We were too busy scoffing doon our chips anyway.

Burn you big ass basket!
File footage from 2006!
(More Wickerman pics on Flickr)

The Doctor Rocks Again

Back in our courting days Gareth was in a band. He’d disappear into a manky studio every Saturday with his mates, make a racket and then sit around eating pizza. That is when I discovered tuna and sweetcorn is considered a tasty topping in Scotland.

Gareth played the bass, which is a very foxy instrument. I positively swooned when I first saw him on stage and knew I had to marry him. But alas, the band disbanded not long after that gig. Gareth pursued solo projects.

Then this year he joined a new band. I was all a-quiver until I heard the band already had a bass player. Dr G would be at the keyboard. That’s hardly the most sexy of instruments, is it?

Rick Wakeman and Yanni.
Hmmm.

Not only that, he’d be doing fancy bleeps and samples and stuff, which meant he’d be nicking off with George the Powerbook all the time and leaving me stuck with the stupid PC.

But when I saw him playing a gig a few weeks ago I realised the appeal was not about the instrument but about the bloke. It is exciting to watch someone do something they love to do. The faraway expression, the intense concentration. People who are interested are interesting. Therefore I’ll be taking up skydiving, stripping and sword fighting in order to keep the magic alive.

Meanwhile, Dr G’s fame is spreading across the land. The other night the band were playing in a pub in deepest darkest Fife and a girl came up to him.

“Is your name Gareth?”

“Aye.”

“D’you go wi’ a lassie called Shauna?”

“Aye.”

“I read her book!”

“Oh.”

“She wrote about her man Gareth playing in bands so I wondered if it was you! Wah-hey! I’ve read all about you… being romantic and that!”

“Aww man.

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A technical hitch.
 

Born to Rock

Scott WalkerRight now I'm watching a film on BBC4 about Scott Walker. You know, that bloke that David Bowie, Radiohead, Pulp et al always namecheck. So far the film is 50% interesting information and 50% random shots of famous musicians nodding with their eyes closed, Scotty crooning in the background.

What I have been wondering for many years is, why do Men of Rock always have such skinny legs? When I think of the Beatles I think of their twig-like pins in those natty grey suits. Mick Jagger, AC/DC, Johnny Rotten, every boofheaded hipster in the NME. All of 'em!

Which comes first – the body or the rock? Do blokes hit the age of 16 or so and look in the mirror, Right. I've got no arse and tiny legs, I'd better join a band! Or do the legs come later; a product of the rock lifestyle – sex, drugs and malnourishment. Are there heaps of really talented bottom-heavy blokes sulking in their bedrooms, not even trying because they know they won't look good in drainpipe jeans?

If you can think of someone truly rockin' with chunky thighs let me know!

2007 in Review: Where’s the Car?

FAVOURITE GIG:  Rush in Glasgow. I reluctantly tagged along with the prog-loving Doctor G and ended up a convert. Almost. I'd never seen so many mullets assembled under one roof: bleached mullets, permed mullets, bald mullets, lady mullets. It was my first ever gig that included lasers, flames and fifteen minute drum solos.

It was bloody fantastic, especially YYZ, aka The Theme from Guitar Hero II. My favourite moment was seeing Gareth gazing up at the stage with a dopey smile, bathed in the green laser light – clearly he'd been transported back to his bedroom, aged 15 with the headphones on. I've never seen him look so happy!

rush.jpg

FAVOURITE RECORDS:  White Chalk, PJ Harvey and In Rainbows, Radiohead. Predictable, I know!

FAVOURITE FILLUMS:  I didn't see much at the cinema but 2007 was the Year of the Clint. Gareth was horrified that I'd never seen any Clint Eastwood westerns so set out to give me an education. We started with A Fistful of Dollars then moved through classics like Pale Rider, Two Mules For Sister Sarah, Unforgiven and The Good The Bad and the Ugly. I had assumed it would be boring shoot-em-up stuff but they were witty, subtle and stylish. And Clint Eastwood in his prime? SEXAY!

My favourite was The Outlaw Josey Wales because it's basically Clint Spits On Many Things – he gobs tobacco on dead folk, a dog, a beetle, a scorpion – cinematic gold!

Clint Eastwood

FAVOURITE BLOKE ON THE TELLY:  Bruce Parry of Tribe. I'm a sucker for any thoughtful, articulate bloke with a mellow voice and a wild passion for their chosen subject. Kevin McCloud of Grand Designs is the runner-up, but Bruce gets bonus points for all that shirtless running-around-in-jungles.

Bruce Parry

FAVOURITE ACCENT:  By a mile… KIWI! I'd never pondered its devastating hotness until I became addicted to the Flight of the Conchords HBO series. Their songs were great as always, but I doubt the non-song bits would have been half as funny if not for those accents (and Murray, of course). The dialogue seemed crafted purely to showcase the words that sound the most hilarious in Kiwi.

The scene below from the Racism episode was my favourite, for the brilliant pisstaking of Australians and the way Jemaine says "person".

Bulletproof

So I’m all Big Kev excited about the news that Radiohead’s new album is coming out in ten teeny little days. I love their stealth tactics too, bypassing the record companies and avoiding the usual leaked copy hoopla by offering the album for download on their website, with the downloadee deciding how much to pay.

My only worry is what’s going to happen on the big day when everyone is trying to collect their copy? HOW MANY SERVERS HAVE THEY GOT AND ARE THEY MADE OF CAST IRON AND SELLOTAPE because I remember last year I spent seven sad little fangirl hours trying to buy presale concert tickets on their website to no avail. It struggled and stuttered like a herd of constipated cows, as if shocked by the surge in popularity.

Already today its been difficult to access, with lovely Jonny posting another message en blog to say, “it’s getting busy in there – busier than they expected.”

Fellas! Will you ever learn? EXPECT A FEW VISITORS! Stock up the fridge! Borrow some spare chairs from your nanna’s house! YOU’RE POPULAR DARNIT!

Eeeeeeeeeeeeee!

In other news, I start a new job tomorrow, doing web stuff. For the first time in 4.5 years my work won’t involve typing letters and making appalling cups of instant coffee. I’m absolutely shitscared, especially considering my recent display of skill and flair with the blog upgrade. Pray for me!

It’s Never Over

Jeff Buckley died ten years ago today. When I heard the news I was all alone in my wee flat in Bathurst, second year of university. I cried and cried and moped and moped, sitting on the couch with something sugary, probably a jar of Nutella!

For someone who only made one studio album in his lifetime, Jeff Buckley Inc. has been remarkably prolific over the past decade. And now for the anniversary there's yet a-bloody-nother one, So Real: Songs From Jeff Buckley. Some sort of greatest hits thingy. Hmm. All I can say to his estate is, whatever happened to rest in peace?

Feeling So Much Older

Ten years ago this week Crowded House had their Farewell To The World concert on the steps of the Sydney Opera House. Last night I watched the new 10th Anniversary DVD and it's still bloody magnificent. I was so devastated the day after that concert, back in Bathurst and getting ready for my shift at the fish and chip shop. I couldn't bear to listen to the Crowdies for about six months; I was just so overcome by the loss. Woe! But somehow I managed to struggle on. A decade later I peered at our spot on the stairs, surprised I couldn't pick us out in the massive crowd. I thought I'd be visible even in the moonlight, either from the violently sunburned face or the enormous angst-ridden frown because I'd just finished my first year of university and was worried I wouldn't pass all my subjects. Don't fret petal, I'd say to 1996 Shauna, You end up becoming a secretary so you won't even need that degree! I wonder if a concert of that scale could happen today? Can you imagine allowing over 100,000 random bodies to just wander on down to the Opera House for free entertainment? A massive public gathering at a major landmark? Holy security alert, Batman. I remember marvelling at how generally well-behaved and civilised the punters were back then, but I don't know if we'd be trusted these days. There'd have to be metal detectors and cavity searches and riot police. I remember a guy climbed up one of the sails of the Opera House and the cops asked him sternly but nicely to please come down. Today they'd have a vicious Alsatian posted on the point of each sail. An Alsatian, brandishing a semi-automatic weapon.

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Photo nicked from The Age (Rick Stevens)